LOS GENIOS

 

LOS GENIOS

POSTPONED
The ninth edition of Málaga Clásica has been postponed as a result of Jesus Reina, violinist and co-director of the Festival, having tested positive for coronavirus and of the obligatory quarantine of the violinist and
 co-director Anna Margrethe Nilsen. The Festival has been rescheduled for the 1st to the 6th of November 2021.
The cost of tickets sold on-line and by telephone will be refunded automatically repaid to the account from which payment was made. Tickets purchased at the box offices can be returned there from the 21st May up to 15 days after the original date of each concert.
The release of the new dates will be announced at a later date.


[The geniuses]

I
Friedrich Hermann (1828-1907), Capriccio No.1 for three violins in d minor, Op.2
Erzhan Kulibaev violin / Koh Gabriel Kameda violin / Anna Margrethe Nilsen violin
Wolfgang Amadeus Mozart (1756-1791), String quartet No.19 in C major, K.465
Anna Margrethe Nilsen violin / Jesús Reina violin / Rumen Cvetkov viola / Gabriel Ureña cello

I I
George Enescu (1881-1955), Sonata for violin and piano No.3, Op.25
Jesús Reina violin / Julien Quentin piano

1.15 h (w/out intermission)
www.malagaclasica.com


 Program (PDF es / en) 
 (Presentation, Málaga Clásica Talents, bios) 

Besides being a known editor of compositions by Haydn, Mozart, Beethoven, Kreutzer, Beriot and Rode, the violinist Hermann wrote several compositions himself, like the "Capriccio" for the unusual combo of three violins. Out of the composers mentioned above is Mozart, who together with Enescu, form a pair of geniuses that in the history of classical music have rarely been equaled, let alone surpassed. They both dominated several instruments and were active performers as well as composers. Though their style of writing is distinct and personal, their music stands alone and captures the essence of life through beauty. While Mozart's music is played quite often, Enescu's works are performed more on occasion, perhaps because they are quite more difficult and complex for the musicians to grasp. 

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